by Jump between worlds, master new powers, add unique and powerful weapons to your arsenal, and realize that true strength comes from your bonds with others:bayonet 3 has a formula that would sound familiar to anyone kingdom hearts fan, which is somewhat appropriate considering both series have nearly a decade gap between their second and third releases.
In his third inning, the Bayonetta The series sees some real momentum that was missing from the second, especially in terms of its story. First Bayonetta it was a flashy introduction to our titular hero and his team of vaguely unpleasant friends and acquaintances, setting a precedent for time travel and other instances of reality bending within his world. His sequel was more focused on the bonds between Bayonetta and his loved ones, with a narrative that focused too much on explaining the first game. Eight years later, bayonet 3 she takes some bold steps forward while maintaining all the sexy swagger we’ve come to expect from the behemoth Umbra Witch.
A spectacular fantasy, emphasis on “spectacle”
We open with Bayonetta and Enzo (a stereotypical Italian gangster turned family man) on a shopping spree in New York City. Unsurprisingly, the witch has dragged him along to carry his bags in exchange for earlier pro bono work. We first meet Jennifer Hale playing this role, and despite all the recent controversy, she delivers a quality performance of the character. She expected “British Commander Shepard,” but Hale lived up to her iconic status and managed to deliver her own version of the witch that felt true to her character.
Shortly after Jeanne reappears, sporting a refreshed look and a sickly motorcycle, her entrance is quickly overshadowed by a tidal wave that quickly begins to completely submerge the city. The witches, along with Rodin, who now has a pizza job in addition to managing The Gates of Hell, try to determine the cause of the disaster and soon encounter new gooey, green enemies who aren’t from Paradiso (Heaven) or Infierno (Hell). ). This poses a bit of a problem for Bayonetta, as his demonic contracts require him to provide angels for food, and these creatures don’t seem to count. But as an ancient and powerful witch, Bayonetta still has a few tricks up her sleeve.
We are quickly introduced to the first of this game’s new mechanics: Demon Slaves. By doing an extended dance and ripping her own heart out of her chest, Bayonetta is able to stretch the limits of her usual deals with hired demons (just go with the flow). This also makes the demons more powerful, allowing them to fully manifest to fight alongside her during the game’s combat sequences.
Eventually, Bayonetta meets a new villain named Singularity, who has the same glowing green energy as those growls and is apparently jumping through different realities and destroying them to make hers the only one there is. The only way to stop the destruction of all but one of the realities is to gather five Chaos Gears.
A young girl named Viola knows that these items are vital to saving her worlds, but she doesn’t really know how to use them. The only one who does is Dr. Sigurd, who has disappeared. Bayonetta then takes Viola to gather the Chaos Gears while Jeanne goes to find the doctor. From here, the game is divided into main and secondary chapters. In the main chapters, you play out Bayonetta and Viola’s journey, while the side chapters follow Jeanne as she infiltrates an enemy facility in search of Dr. Sigurd.
